Features Overview
FACBA 26
FACBA 2026 – MECA Stand
Group Exhibition
Selected to exhibit at the MECA (Mediterráneo Centro Artístico) stand during FACBA 2026, the Contemporary Art Festival of the Faculty of Fine Arts at the University of Granada. Since its founding in 2009, FACBA has become one of Spain’s leading platforms for emerging and contemporary art, fostering dialogue between artistic practice, academic research, and the professional art world.
Presented alongside the work of Rocío Arjona, Juan Morante, and Toña Gómez, this exhibition brought together four artists represented by MECA within the context of one of Andalusia’s most significant contemporary art events.
The Body Remains
Solo Exhibition
Gallery 505, Bronx, New York
May 26 – July 18, 2025
The Body Remains was presented as a solo exhibition at Gallery 505 in the Bronx, bringing together a series of photo collages, photomontages, and mixed-media photographic works that examine the persistence of memory, identity, and the traces left by lived experience.
Through fragmentation, layering, and intervention, the exhibition transformed photography into a site of excavation, where archival materials and original images converged to question the boundaries between document and fiction. Rather than offering fixed narratives, the works invited viewers to reflect on absence, displacement, resilience, and the ways personal and collective histories continue to inhabit the body.
Presented in New York, a city shaped by migration and overlapping cultural identities, The Body Remains extended an ongoing investigation into photography as both evidence and invention—a medium capable of revealing not only what is visible, but also what survives beneath the surface of memory.
LATENCIAS
Latencias brought together the work of nine artists in an exhibition exploring the invisible as a space of transformation, memory, and possibility. Curated by Fernando Barrionuevo, the exhibition proposed a reflection on what remains hidden yet continues to shape perception, inviting viewers to slow down and attend to the subtle forces that exist beneath the surface of the visible world.
My work entered into dialogue with artists Juan Morante, Mar Garrido, Toña Gómez, Modhir Ahmed, Carmen Guardia, Paco Lagares, Gerda Van Damme, and Fernando Barrionuevo, contributing to a broader conversation about absence, memory, and the fragile threshold between presence and disappearance. Rather than presenting fixed narratives, the exhibition emphasized resonance, ambiguity, and the poetic potential of images that reveal themselves gradually through attentive looking.
Within this context, my photographs explored the landscape as a place where traces, shadows, and fragmented memories continue to inhabit the present. Latencias offered an opportunity to situate this ongoing investigation alongside artists whose practices likewise challenge the limits of perception, reminding us that what remains unseen is often as powerful as what is immediately visible.